I don’t have much of a reason to write here anymore, because
I’m too damn busy writing for the Fandom Post or on Twitter. But I always try
to throw a few first impression reviews at the beginning of each season and
I’ll occasionally rant on about what happens to be on my mind. I rarely have
the attention span to want to sit down and do a whole, cohesive article though.
I also don’t have the time, working 9–5 and writing for aforementioned places.
But the Reverse Thieves’ Anime Secret Santa project was solicited
and I answered the call. I got the three shows back, and they were:
Irresponsible Captain Tylor, Black Heaven, and Gunbuster. Black Heaven is that
show with the clip I like to make fun of and Tylor is 26 episodes, so the
obvious choice was Gunbuster, the six-episode Gainax OAV from 1988 that marked
the directorial debut of Hideaki Anno of Evangelion fame.
Ah the joys of watching shonen action heroes improve in an
instant. In a mere month, protagonist Noriko Takaya goes from worst to second
with the help of the Coach. You see, Noriko was selected for a special mission
out of the entire school, likely because she’s a little bit genki. The coach,
Koichiro Ohta, is one of the survivors of the Luxion, on which Admiral Yuzo
Takaya died.
The first episode was quite humorous, with giant robots
taking the roles of humans in the typical comedy scenes. In one, the high
school girls snicker at Noriko as she jumps rope instead of practices inside of
her robot. When the resident onee-sama steps in, they all run away saying
“Excuse me!” in typical anime girl fashion. It’s moments like this that
immediately set the stage for what the show’s lighter moments will be.
But this shonen training montage wasn’t all for naught.
Noriko proves that she does indeed have the potential that the Coach said she
did; though where he saw that potential is very, very up in the air. She pretty
much masters the basics of moving that robot along with a Lightning Kick that
drops the supposed second best in the school.
By the second episode, they’re in space and faced with Jung
Freud, a not-so-subtle reference to the famous psychologists. She acts as a
nice foil to Noriko for a while, but her formerly tough exterior is melted away
almost instantly, and possibly disappointingly. She challenged ace student
Kazumi Amano to a battle, where they duke it out and find that the other ain’t
so bad at fighting after all.
The beef of the second episode is with an exercise where
Noriko and Amano have to travel light speed. The ramifications of it are that
they’ll leave and come back two months after they leave due to light speed
travel being all science-y and such (I don’t understand it, pretend to
understand it, or even know if Gunbuster is portraying it correctly or not).
Nor do I care because they’re 12 seconds late in returning, thus they spent
four more months gone than they expected.
On the trip, they see the shambling remains of the Luxion.
Noriko, emotional, jettisons herself from her rocket and boards the ship. Two
days had passed on the ship’s time since the attack and she just wanted to find
her father. When she gets to the bridge and it’s gone, it is the best moment of
the series thus far and I think it’ll have a hard time topping that in terms of
emotional impact.
I assume running into the Luxion was unexpected, but it
meant a lot for Noriko, who not only missed her own birthday by four months,
but Jung Freud’s as well. More importantly, she grasped at a sliver of hope
that was barely even there and lost it all when that door finally opened.
Seeing her recovery from that will be paramount to her growth as a character,
and it’ll be extremely interesting to see what Anno—who, of course, later
proved his storytelling chops dealing with emotional trauma like this with
Evangelion—does with it.
It’s in the third episode that things really start moving.
Noriko is finally faced with a loss that weighs heavy on her heart, not only as
a human being but as a pilot. Amano has chosen to un-team up with Noriko,
believing that Noriko is too inexperienced to be of any real help. This turns
out to be true when she teams up with Smith Toren, named after the translator
of the same name. When the two go out on a mission, it turns out bad for
Noriko. Her job was to defend Smith, but she failed. He was lost in the battle
and they’ve since gone warp speed away.
This is the kind of loss that a TV show almost needs to have
to make us really sympathize with the characters. Noriko has had it relatively
easy thus far, given her rapid growth and Lightning Kick to the second best.
She was high on that, but still knew her relative inexperience is a hindrance.
But just how much of a hindrance she would only find out on the battlefield,
where Smith could have just as easily been Amano or Jung Freud. And then what?
Noriko, emotionally and physically drained by this point,
sees the coach and the presumed Gunbuster robot and breaks down. She’s crying,
but she doesn’t want to give up and that’s the best part about it. She doesn’t
want to give up, she wants to try harder to make it so this never happens to
her again. I admire that out of a character, to be so transparent, and the
moment has convinced me that Gunbuster is more than just fun robot show.
With episode four, I can see where Hideaki Anno’s seeds are
for Evangelion. Noriko’s entire arc in this episode is basically the same arc
as Shinji, just their reasons for not wanting to fight are different. I’m
inclined to believe more in Noriko’s arc than Shinji’s because we’ve been
around her for longer than Shinji by this point.
But looking squarely at Noriko, she’s grown leaps and bounds
in just one episode. She’s still distraught over the loss of Toren Smith (and
aren’t we all) and she’s going through some serious PTSD just by being in
space. She gets over it with sheer willpower to help those that are literally
dying around her and it’s quite uplifting to watch.
To do so, the titular Gunbuster robot is finally unveiled
and it is quite amazing. I wish I had a toy of it in my hands right now, but
that would make typing a little harder.
The introduction of Gunbuster—superimposed against Amano and
Jung Freud’s robots to perhaps look much larger than them (or maybe it is
actually larger? I assume it’s larger)—is among the great moments in Gainax
badassery. Not only did this spell the “death” of the Noriko of the past, it’s
a cool giant robot!
Gunbuster has, thus far, been really fun. I’ve only put it
off this long because there’s no legal way to watch it. But, given that this
secret Santa told me to, I finally have the opportunity to pirate it and feel a
little less bad. I’ve got two episodes left, but I’m SUPPOSED to have it up by
today and I’ve just been busy playing Deus Ex: Human Revolution or reading
Dumbing of Age or tweeting on twitter. Things have got in the way and I will
finish it, and post the rest of the review. But until then, merry Christmas to
those who celebrate and happy holidays to those that don’t.
No comments:
Post a Comment